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Scenes with Black Folk

Camden Fringe Festival - London, UK

August 19-22 - Camden People's Theatre

What are the rules of being Black? Who decides, and who enforces them? What happens when those questions are asked aloud—with a mostly white audience looking on?

Scenes with Black Folk is a bold, genre-bending ritual play that blends satire, surrealism, and raw vulnerability to explore how Blackness is performed, policed, and pushed to the edge. Four “somebodies” take the stage, confronting the absurdity of racism and the weight of self-awareness in spaces where being seen is never simple.

Through a series of fragmented, heightened, and darkly comic scenes, the performers wrestle with identity, history, and the pressure to represent. They slip between characters, tones, and timelines—exposing how the performance of race can be both mask and mirror. The line between actor and audience is never secure. Neither is the line between truth and survival.

Unapologetically intimate, uncomfortably funny, and deliberately disorienting, Scenes with Black Folk is not just a play—it’s a confrontation. A ritual. A refusal to explain. And an invitation to witness what happens when Black people stop performing for someone else’s benefit.

Written and Directed by Joy Nesbitt
Produced by Sophie Cairns, SHITE Productions

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a World Premiere event

Commissioned by Corrib Theatre

Written by Joy Nesbitt

Directed by Holly Griffith

Stilt is a thriller that reimagines the Rumpelstiltskin myth as a modern Irish cautionary tale.

TJ is obsessed with uncovering his true birth name, which was lost when he was adopted as a child. His fixation with the Rumpelstiltskin fairytale leads him down a dark path, fueled by political extremism.

At its core, Stilt explores the power of names and how the loss or reclamation of one’s true identity affects selfhood. The play's themes are deeply intertwined with contemporary Irish life, reflecting the tension between the country’s historical and cultural legacies and the modern issues it faces.

Stilt 

Corrib Theatre - Portland, OR

PRESS

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"At this year’s Dublin Fringe Festival plenty of ire was aimed at the performing arts’ current discourse on inclusion. Most driven was Joy Nesbitt’s dark comedy Julius Caesar Variety Show, about a nightmarish actors’ audition. Nesbitt’s points felt new and insightful, as a black actor (a cool-headed Loré Adewusi) was seen dealing with a white bullying director (a compellingly snide Ultan Pringle) who insisted on the one hand that colour-blind casting doesn’t work, because audiences can’t unsee race, and on the other hand that not going along with exploitative expectations of blackness is actually being artistically conservative. How depressingly elaborate these schemes are."

— THE IRISH TIMES,

"The best theatre of 2024: Blessed are the risk-takers"

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