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"The Knife" at Dublin International Film Festival

presented by Virgin Media Discovers 

Virgin Media and Keeper Pictures

Virgin Media Discovers, in partnership with Screen Ireland, is a competition that helps new and established filmmakers and content creators get their stories heard.

The Knife will be shown at the Dublin International Film Festival in February.

A panel of industry judges have selected four winners, who have won between €35,000 and €50,000 to fund the production of their short film or documentary, which will be featured at Dublin International Film Festival and Virgin Media iPlayer.

Knife (Comedy)
Writer: Joy Nesbitt, Producer: Grace Odumosu

Ife, a young black woman goes for her first pregnancy scan, only to discover that her child is brandishing a knife inside her womb.

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What are the rules of being Black? Who gets to define what it means to be Black? How do we have these discussions when we know a non-Black audience is watching? Scenes with Black Folk is a bold new ritual play that fuses absurdity, comedy, and raw emotion in its exploration of Blackness, identity, and racism in predominantly white spaces. Written and directed by Joy Nesbitt, this reading of Scenes with Black Folk is an opportunity to engage with an anti-trauma-porn exploration of identity in a world constantly in conversation about race.

 

In Scenes with Black Folk, four “somebodies” perform surreal attempts to name and confront their everyday experiences of their identity. With a heightened awareness of themselves and their audience, they navigate grotesque, absurd, and darkly comedic scenarios to expose the absurdity of racism, all while wrestling with their past, presents, and futures in this world. 

 

Written and Directed by Joy Nesbitt

Produced by Sophie Cairns, SHITE Productions

Performed by Rachael Adeyoluwa, Jonathan Heed, Tishé Fatunbi, and Eithne Garricks

Scenes with Black Folk -- Rehearsed Reading

Riverside Studios

PRESS

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"At this year’s Dublin Fringe Festival plenty of ire was aimed at the performing arts’ current discourse on inclusion. Most driven was Joy Nesbitt’s dark comedy Julius Caesar Variety Show, about a nightmarish actors’ audition. Nesbitt’s points felt new and insightful, as a black actor (a cool-headed Loré Adewusi) was seen dealing with a white bullying director (a compellingly snide Ultan Pringle) who insisted on the one hand that colour-blind casting doesn’t work, because audiences can’t unsee race, and on the other hand that not going along with exploitative expectations of blackness is actually being artistically conservative. How depressingly elaborate these schemes are."

— THE IRISH TIMES,

"The best theatre of 2024: Blessed are the risk-takers"

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